Fred Eversley


FRED EVERSLEY, 50 YEARS AN ARTIST: LIGHT & SPACE & ENERGY, Muscarelle Museum of Art, College of William & Mary, Williamsburg, VA
Harmonic Convergence: An Interview (and more) with Fred Eversley, C Magazine,of Crystal Bridges Museum of American Art, V.6, No. 2, by Linda DeBerry read
Fred Eversley, Art in America, June 1, 2017, by Kirsten Swenson read
Waltham, Massachusetts: Fred Eversley - Rose Art Museum, Sculpture Magazine, July/August 2017, by Marty Carlock, read
Fred Eversley’s Black, White, Grey Cosmic Objects, Bomb Magazine, , March 28, 2017, by Claire Barliant, read
At the Rose, oracular sleekness and a very different Sahara, The Boston Globe, March 8, 2017, by Cate McQuaid read
How Fred Eversley Went From NASA Engineer to Cosmic Artist In ‘60s LA, The ARTery, March 8, 2017, by Greg Cook read
Black History Month: Fred Eversley in Crystal Bridges Museum of American art Blog, February 23, 2017, by Linda DeBerry read
Kerry James Marshall: A Creative Convening, Afternoon Session, The Metropolitan Museum of Art, January 28, 2017, listen

1971 – A Year in the Life of Color, by Darby English, University of Chicago Press order

Past Futures-Science Fiction, Space Travel, and Postwar Art of the Americas, MIT Press, edited by Sarah J Montross order

"When Is an Artwork Finished?", ARTnews, February 24, 2014, by Ann Landi

African American Art: Harlem Renaissance, The Civil Rights Movement, and Beyond; by Richard J. Powell and Virginia Mecklenburg, Copublished with Rizzoli, 255 pp.: Ill (167 color) order

Pacific Standard Time, Los Angeles Art 1945-1980, by The Getty Foundation Edited by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, and Rani Singh, with Lucy Bradnock, order
Now Dig This! Art & Black Los Angeles 1960-1980, Catalog edited by Kellie Jones for the Hammer Museum, a 350 page, full-color catalogue co-published by Prestel. view  order
L.A. Rising SoCal Artists before 1980, Los Angeles, CA, by Lyn Kienholz, order 
'Frederick Eversley-Art, Energy and Invention', IRAAA,  Vol. 23 No. 3, Hampton VA, by Wayne Dawkins

"Folio, “The Rediscovery Of The Function Of A Work Of Art”, Cornell University, Ithaca, NY, by Doris Von Drathen

“Monochromes: From Malevich to the Present", Museo Nacional Centro de Arte Reina Sofía Catalog, by Barbara Rose, order
'Energy And Abstraction At The Studio Museum In Harlem', The New York Times, New York, April 7 2006, by Cotter, Holland
“Master Of Aesthetic Energy”, New Indian Express, Madras, India, May 14, 2006New Indian Express, Madras, India, May 14, 2006, by Yusuf Arakkal

“A Dentist Who Put Teeth in AU’s Artistic Ambition”,The Washington Post, Washington DC, July 3, 2005, by JoAnn Lewis
“Art By Appointment”, The Essential/Washington, Washington DC, November 2005, by Jean Lawlor Cohen
“Pittura e Scultura Sorprendono alla Biennale”, La Nazione, Florence, Italy, December 6, 2005, by Giovanni Faccenda

“Monochromes: From Malevich to the Present", Museo Nacional Centro de Arte Reina Sofía Catalog, by Barbara Rose
“The Meanings of Monochrome”, Museo Nac. Centro de Arte Reina Sofía Cat, Madrid, June 2004, by Barbara Rose
“Monocromos – El Color Del Silencio”, Descubrir El Arte, Spain, Ano VI, No. 64 , June 2004, by Guillermo Solana
“Los Monocromos-Luz como Espacio-Tiempo o el Color como Devenir”, Museo Nacional Centro de Arte Reina Sofía Catalog, by Fabre Gladys 
“Blanco Su Blanco-Artisti In Mostra Per Un Solo Colore”, IL Mattino-Online, June 15, 2004, by Paola Del Vecchio
“Desde El Silencio De La Pintura”, El Cultural, Madrid, June 17 2004, by Mariano Navarro
“Monocromas: La Expresion Mas Radical Del Atre", Cultura, Madrid, June 18 2004, by Miguel Angle Blanco
“El Arte De Un Solo Color Se Instala En El Museo Renia Sofia a Traves de 78 Artistas”, La Cultura, Madrid, June 16, 2004

“Fred Eversley – Energeia”, Capa Esculturas Catalog, Brussels, by Barbara Rose
“Fred Eversley”,  Mono Magazine, Tokyo, Japan, November 2003, by Mika Watabe
“Capa Esculturas acoge la obra de Fred Eversley”, Ecos, Spain, December 2003, by  Luis Gomez
“Sculptor in Light”,Agenda Expo/Art Expo, December 2003, by Yves De Vresse
“Fred Eversley: Sculptures Optiques”, Artenews, Brussels, Belguim, December 2003
“Galerie Capa Esculturas”, Art Bruxelles, Brussels, Belguim, December, 2003
“L’arte contemporanea “invade” la Fortezza”, La Nazione, Italy, December 6, 2003, by Raffaella Marcucci

“American Artists in Italy. The 2001 Biennale Internazionale dell’Arte Contemporanea", Florence, Italy”,  NY Arts, January 2, 2002, by Rachel Vancelette
“And the Winner is…”, Art and Antiques, March 2002, by Braccini, Giulio

“La Biennale D’Arte Ecco Tutti I Premi”, Il Giornale Della Toscana, December 16, 2001, by Braccini, Giulio

“C’È ma non si vede”, Arte In, Venezia, IT, anno XII, num. 64, December 99 - January 2000, by Barbara Rose
Weiss aufGrun, Zuritipp, Zurich, CH, 30 June 2000, by Kraft, Von Martin
“Sculptor Eversley”, The Chautauquan Daily, July 29-30, 2000, by Richard Leiby

“Arte Ed Energia - Frederick Eversley”, ECO ENEA - L’ARCA, Milano, IT, by Cettina Gallo

“Conversation Pieces-When Art Goes Public”, The Washington Post, June 27,1997, by Richard Leiby

“On The Trail of Art Walk”, The Outlook, May 20, 1996, by Nick Madigan

“Interventi-Frederick John Eversley”, Letterna Pristem, Milano, IT, 12 Giugno, by Ezio Riva

“Art: Black Artist, Past and Present”, New York Times, by Vivien Raynor

Mathematick in der Kunst der letzten dreibig Jahre, Germany, by Dietmar Guderian


“Behind Studio Doors”, Los Angeles Times Sunday Magazine, May 24, 1987, by Susan Price

“Eversley Revives The Finish Fetish Mode”, Los Angeles Times, Oct. 2, 1985, by Kristine McKenna 
“Pick of The Week”, L. A. Weekly, Oct. 4-10, 1985, by Joan Hugo

“Enjoy Two Vital Views”, The Miami News, Feb 10, 1984, by Leslie Judd Ahlander
“Celebrating Works of Black Artists”, The Miami Herald, Feb. 10, 1984, by Helen L. Kohn

“Forgotten Dimension”, New Art Examiner, Chicago, IL, Jan. 1983, by Gisele Atterbeny

California Artists Cookbook, Abbeville Press, the San Fransisco Museum of Modern Art, Publishers, 1982, by Chotsie Blank and Ann Seymour
“Toys Just Waiting to be Discovered”  The Evening Outlook, March 13-14,1982, by Toni Weingarten

Interview with Fred Eversley, Ocular, Summer Quarter, Vol. 5, No. 2, 1980, by Peggy Loar

“Art - If You Can Find It” Dallas Morning News, August 10, 1978, by Janet Kutner
“The Space Museum’s Latest Craft” The Washington Post, December 8, 1978, by Paul Richard

“Fred Eversley Retrospective”, Artweek, by Laurie H. Glass
“Eversley Exhibit Opens in Orange County” Orange County Newport Life Magazine, January 1977, pg. 45, by Pat Neisser
“Color, Optical Illusions in Eversley’s Sculptures” San Francisco Chronicle, May 17, 1977, by Thomas Albright
“Asian Treasures and Modern Sculpture” San Francisco Examiner, March 6, 1977, pg. 41, by Alfred Frankenstein
“Fred Eversley Retrospective” Artweek, March 26, 1977, pg. 16, by Laurie H. Glass
“Plastics Show Versatility” Hartford Times, January 1977 ---“U of H to Show Plastics” The Hartford Courant, Sunday, January 30, 1977, by Jolene Goldenthal

“Polished Spheres Catch and Hurl Light” The Washington Star, January 9, 1976, pg. C-3, by Benjamin Forgery
“Optical Magic Turns Us Inward as We Look Out” Los Angeles Times, Calendar, May 23, 1976, pg. 76-78, by Henry J. Seldis
“Reflective Sculptures in Newport” Daily Pilot, December 10, 1976, pg. Cl, by Jackie Hyman

“Multi-Media Black Art” Artweek, March 25, 1972, by Cecile N. McCann
“UC Campuses Show Modern Sculpture” , Los Angeles Times, Calendar, March 12, 1972, by Henry J. Seldis
“Small Sculpture” Marzhaye Now, February 1971, Vol. XV-2, Iran pg. 20
“Black Art: The Mainstream and Beyond” America, Russia, Issue No. 186, April 1972, pg. 54

“Pace Review” Artforum, January 1971, pg. 73
“Art in Mid-America” Kansas City Star, March 7, 1971, by Donald Jones
“Black Art: The Mainstream and Beyond” America, Russia, Issue No. 186, April 1972, pg. 54

“Black Artists on View” New York Times, April 7, 1971, pg. 52. by John Canaday
“Review of Whitney Sculpture Annual” Art International, Vol. XV, February 1971
“Sorting Out the Whitney Annual,” Artforum, February 1971, by Joseph Masheck
“A Concern for Abstract Form,” San Francisco Chronicle, December 2, 1971, by Thomas Albright

New York Magazine, Art Critic, June 8, 1970, by John Gruen
“Art News" 'Eversley in New York” Los Angeles Times, May 31, 1970
“Art” Chicago Sun Times, May 31, 1970 by Harold Hayden
“Art News” Chicago Today, June 20, 1970, pg. 111
“Art” Vogue Magazine, April 1970, by Barbara Rose
“Small Sculpture” Al-Majal, Turkey, 1970, Issue No. 27, by Perkins Constance,
“Black Art in America” Art in America, Sept. - Oct. 1970, by Barbara Rose
“Eversley Show in New York”, Los Angeles Times, by Henry J. Seldis June 8, 1970